Buy Pro Tools music software, Media Composer video editing software, Sibelius music notation software, audio plugins, and more. Shop the Avid store now. Always work with latest version of the most proven video editing software in the industry, trusted by professional editors in every segment of movies, TV, broadcast and streaming media. Avid Media Composer v8.10 Crack with License Key Free Download! Avid Media Composer Crack is a video editing software that has all the features of a professional video editing application. With this application, you will get all the latest, high-quality and state of the art features that help you to edit videos in a professional way. Avid empowers media creators with innovative technology and collaborative tools to entertain, inform, educate and enlighten the world. Avid Media Composer 6.5.4.2 MacOSX 2.21 GB If you are creating media products, installation tools you need, which is not only comfortable and productive, but also allows you to track actions to work on the project, right to organize media data does not create unexpected problems. Avid Media Composer 6.5.2 Proper Mac OSX. December 30, 2012. Professional editors and producers like you around the world have told us what you need to succeed.
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P2 Plug-in Ex for Avid
- Software Key for AVC-Proxy re-link.AJ-PS001G
- Software Key for AVC-Intra50/100 P2 file export.AJ-PS002G
- Software Key for AVC-LongG P2 file export.AJ-PS003G
- Software Key for AVC-LongG file import to edit.AJ-PS004G
Software Key Line Up
Software Key for AVC-Proxy re-link.
AJ-PS001G Airmail 3 6 58 cm.
Relink of AVC-proxy and Main video
Software Key for AVC-Intra50/100 P2 file export. Persecond 1 0 1 – timelapse video made easy.
AJ-PS002G
Export in AVC-Intra50/100 format
Software Key for AVC-LongG P2 file export.
AJ-PS003G
Export in AVC-LongG format
Exporter for contacts 1 12 1 download free. Software Key for AVC-LongG file import to edit.
AJ-PS004G
Import AVC-LongG for editing
Get direct access to and full native support of P2 media and metadata.
Avid Media Composer 6 System Requirements
Free for basic Import clips such as AVC-Intra (Including 4k) and DV to DVCPRO HD.(This function is immediately available after installing Plug-in.)
Free trial for 30 days regarding AJ-PS001G - PS004G. (These function must be enabled after installing Plug-in.)
Free trial for 30 days regarding AJ-PS001G - PS004G. (These function must be enabled after installing Plug-in.)
Support Compatibility Table
P2 Plug-in Ex | Ver. 4.4 | Ver. 4.5 *1 | Ver. 4.6 *1 | Ver. 4.7 *1 | Ver. 4.7.1 *1 | Ver. 4.8 *1 Ver. 4.8.2.5 | Ver. 4.9.0.0 Ver. 4.9.0.1 | Ver4.9.0.4 | |
---|---|---|---|---|---|---|---|---|---|
Release Month | June 2015 | Nov. 2015 | Mar. 2016 | June 2016 | Oct. 2016 | Apr. 2017 Jan. 2018 | May 2018 Aug. 2018 | Nov. 2019 | |
Operation System | Windows, Mac OS X, macOS | Windows, Mac OS X, macOS | Windows, Mac OS X, macOS | Windows | Mac OS X, macOS | Windows, Mac OS X, macOS | Windows, Mac OS X | Windows, Mac OS X | |
Avid Media Composer | v6.5.4 v7.0.4 v8.4 *2 | v6.5.4 v7.0.4 v8.4.3 *2 | v7.0.4 v8.4.3 *2 v8.5 *2 | v8.6 | v8.6 | v8.8.3 | v2018.3 v2018.7 v8.8.3 | V2019.8 V2019.9 V2018.12.3 | |
Avid NewsCutter | v10.5.4 v11.0.4 | v10.5.4 v11.0.4 | v10.5.4 v11.0.4 | -- | -- | -- | -- | -- | |
Media | Director | -- | v1.3 | v1.3 v1.4 | v1.3 v1.4 | v1.3 v1.4 | v1.3 v1.4 | v1.3 v1.4 | v1.3 v1.4 | |
Basics (free) | Import AVC-Intra50/100 Import DV/DVCPRO/50/HD | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes |
Import AVC-Intra200 *3 | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes | |
Import AVC-Intra444, 2K422/444, 4K422/444, AVC-Intra4K_LT *4 | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes | |
Import AVC-Intra422 | -- | Yes | Yes | Yes | Yes | Yes | Yes | Yes | |
Import AVC-Intra_LT, AVC-Intra2K_L | -- | -- | Yes | Yes | Yes | Yes | Yes | Yes | |
AJ-PS001G | Import AVC-Proxy (Low, HQ, SHQ, HD) | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes |
Re-Link to AVC-Intra50/100, DVCPROHD | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes | |
Re-Link to AVC-LongG12/25/50 *5 | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes | |
Re-Link from HD to UHD, 2K to 4K *4 *5 | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes | |
AJ-PS002G | Export AVC-Intra50/100, DV/DVCPRO/50/HD *6 | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes |
Export AVC-Intra200 | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes | |
Export AVC-Intra 2K422, 4K422 *4 | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes | |
Export Avid Marker and P2 Metadata | -- | -- | -- | -- | -- | Yes | Yes | Yes | |
Non-spanned clip export function | -- | -- | -- | -- | -- | -- | Yes | Yes | |
AJ-PS003G *7 | Export AVC-LongG12/25/50 | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes |
Format 1080/23.98p, 1080/25p, 1080/29.97p | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes | |
Export Avid Marker and P2 Metadata | -- | -- | -- | -- | -- | Yes | Yes | Yes | |
Non-spanned clip export function | -- | -- | -- | -- | -- | -- | Yes | Yes | |
AJ-PS004G *7 | Import AVC-LongG12/25/50 | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes |
Format 1080/23.98p, 1080/25p, 1080/29.97p | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes | |
Reverse Playback improvement | Yes | Yes | Yes | Yes | Yes | Yes | Yes | Yes | |
AVC-LongG improvement | -- | -- | -- | Yes | Yes | Yes | Yes | Yes |
- *1: MC v8.4, v8.4.1, v8.4.2 is not supported by v4.5 or later. Use v4.4
- *2: 1080/60p 50p supported
- *3: It works with MC v6.5.4, v8.4
- *4: It works with MC v8.4
- *5: AJ-PS004G is required as well.
- *6: except 720p
- *7: It works with MC v7.04 and MC v8.4 or later
P2 Plug-in Ex Ver. 4.5
P2 Plug-in Ex Ver. 4.5 has following known issues, which cannot be fixed by P2 Plug-in.
Avid Media Composer 6
Avid NLE Ver.sion | Related Model | Video Format | Comp. Format | Description |
---|---|---|---|---|
MC 8.5 or lower | AJ-PS001 | AVC-LongG | Proxy (SD/HD) | Display of start TC is shifted when Proxy import if non-drop frame mode, start TC is not 00:00:00:00, and high-res is AVC-LongG. Indication of video on bin isn’t changed from 'H.264' |
all | AJ-PS001 | 720/50p, 60p | Proxy (HD) | Pop sound on spanned point when playback proxy. After relink to High-res, there are no problem. |
all | AJ-PS001 | all | Proxy (HD) | PCM Audio is remained when re-link to Proxy (HD) from high-res. Typical operation ( Proxy to High-res ) has no issue. |
MC 8.4.* MC 8.5 | AJ-PS001 | AVC-LongG AVC-Intra100 | -- | Relink AVC-LongG, AVC-Intra100 50/60p to 4K is not supported. Relink AVC-Intra100 (FILE SPLIT mode) to 4K is not supported. |
MC 8.4.3 MC 8.5 | AJ-PS001 | -- | Proxy | Proxy by AUDIO OFF Setting is not supported. STD 2Ch MP4 proxy is not supported (Mac) |
MC 8.4.3 MC 8.5 MC 8.6 | AJ-PS001 | -- | Proxy | HQ 4Ch MP4 Proxy (60P) is not supported Relink. (start TC will be Twice) |
MC 8.5 | Default function | CDL file | -- | Picutre will be black when *.cdl value is not dfault value. Delete cdl on SourceSetting There are cases that CDL valut is not reflected. (AVC-Intra100) |
MC8.6 | Default function | -- | -- | In case Cllips in Folder which is written by Japanese is not linked correctory. Please change folder name to english. |
MC2019.5 MC2019.6 MC2019.7 | Export | -- | -- | These version of MC have problem about export function. Please use after MC2019.8. |
- MC : Media Composer, NC : NewsCutter
System Requirement
OS | Windows® 7 Professional (SP1) 64bit, Ultimate (SP1) 64bit Windows® 8.1 Professional and Enterprise 64bit Windows® 10 Professional and Enterprise 64bit Mac OS X 10.9 - 10.11 macOS 10.12 |
---|---|
Memory | 8GB minimum. 16 (or more) recommended. |
CPU or Other Required Environments | Same as Avid Media Composer specs. Seamless playback of cut sequence by AVC-LongG requires 4th Generation Core i7 at 4 cores with 2.6GHz or higher. ( ex. MacBook Pro Retina 15' ) |
Supports
Professional editors and producers like you around the world have told us what you need to succeed. More efficient and easy-to-use video editing tools. An open platform that enables you to work with everything you want and integrate into any workflow. More power to eliminate bottlenecks, so you can work faster than ever. We listened. We took notes.
We made it happen. Introducing Media Composer 6—the fastest, most versatile tool for professional video editing.
Full 64-bit power
Fast gets even faster with native 64-bit operation, so even when you layer together the most complex effects, things will still feel snappy. Experience smoother playback, faster rendering performance, and better handling with large bins—and say goodbye to the old memory limitations of the 32-bit operating systems.
Better performance—and 3D—with Avid hardware
For the fastest capture/edit/monitor/output workflows, pair Media Composer with a Nitris DX or Mojo DX video interface and experience hardware-accelerated power that’s second to none. You can now even customize Nitris DX with up to two Avid DNxHD or AVC-Intra chips to fully support stereoscopic 3D and HD RGB 4-4-4 workflows.
Open for business
Media Composer is now fully open thanks to Avid Open I/O, so you can work with your choice of Avid audio and video interfaces or third-party video interfaces, including those from AJA, Blackmagic Design, Bluefish444, Matrox, and MOTU. Manufacturers can simply create plug-ins using Avid Open I/O to have their hardware work with Media Composer, meaning you’ll have even more choices to come.
Sleek new look and Avid Marketplace
Modern, smart, and sexy. Media Composer has a whole new look, but its familiar editing workflow stays the same. Work faster through the tabbed interface (no more window clutter!). Customize window configurations with Workspaces. Browse the Avid Marketplace for stock footage, video and audio plug-ins, software and hardware options, training materials, and more—right from within the app. You can even access user guides and other documentation without having to scour our website.
Work with 3D
Edit stereoscopic 3D material as quickly and easily as you do with standard 2D footage, with a full set of new features and workflows. Capture, edit, and manage the complete 3D end-to-end workflow. Mix and match 2D and stereoscopic 3D clips on the same track. Plus, work with full frame and frame-compatible sources, full-fledged editing tools, video effects, and more.
Go hands-on with Artist Color
Accelerate your color correcting and grading with Artist Color. With its highly responsive feel, you can keep your eyes on the picture instead of the interface while you make adjustments. And since you can tweak multiple parameters at once, you dramatically gain more speed and efficiency to complete time-consuming tasks quickly.
Mix in surround sound
You want your audio to sound as spectacular as your video looks. Now you can record, edit, and mix studio-quality audio in up to 7.1 surround—right in Media Composer. Not only that, you can share mixes with Pro Tools editors (using AAF), and even record and monitor audio using a host of Avid audio interfaces.
Open to anything
You never know what kinds of media, projects, and people will arrive at your desk or doorstep. That’s why Media Composer offers an open workflow, so you can take on whatever challenge awaits. Work with practically any media format, including tape and film. Capture and monitor with your choice of Avid and third-party interfaces. Accelerate editing with Artist Series control surfaces. Integrate into any professional production pipeline. Sync projects with Pro Tools editors using Video Satellite. And take your offline online to Symphony or Avid DS—without redoing work.
Work with any media
File-based media, analog and digital tape, stereoscopic 3D material, film — bring it on. Media Composer offers a wide range of features, workflows, and options that enable you to work with everything, from old-school media to the latest camera technologies. Experience the fastest tapeless workflows in the industry. Capture footage directly from digital cameras. Or add an Avid or third-party video interface to capture from other analog or digital sources. Plus, with support for 4-4-4 HD-RGB color and DNxHD 444, you can work efficiently while preserving the full-quality color detail from beginning to end.
Take storytelling to the cutting edge
It doesn’t matter how you learned to edit—Media Composer goes where others leave off, enabling you to work faster and in ways you’re most comfortable. In fact, its tools are ACE-certified. Trim clips and manipulate transitions on the fly using the Smart Tool (see the Smart Tool in action), or perform ultra-precise edits using traditional tools. Mix and match media formats, frame rates, resolutions, and more in the same timeline—in real time—without rendering (see Mix and Match in action). And edit HD material in real time—in mastering picture quality—using Avid DNxHD or DNxHD 444.
Design and dazzle with visual effects
Give your projects that professional polish using the bundled and built-in design and effects tools. Create eye-catching 2D and 3D composites, titles, animation, and effects with Avid FX (aka Boris RED), a powerful collection of creative tools designed by Boris FX. Add visual impact, drama, and depth with a host of built-in 2D and 3D effects, title tools, transitions, key and motion effects, and more. Add focus and fix issues with motion tracking and stabilization tools. And expand your visual palette with our third-party partners' effects, many of which can be purchased within Media Composer from the Avid Marketplace.
Color correct and grade with precision
Save time and maintain the highest quality production with the fully integrated 10-bit color correction toolset. Quickly and accurately match colors from shot to shot using NaturalMatch. Gain better color precision with support for full-quality 4-4-4 HD-RGB color space processing. Get fine control over shots with animatable color correction. Speed up your color work with Artist Color. And dive into the large palette of easy-to-use tools to refine settings or get creative.
Design and deliver
With Avid DVD and Sorenson Squeeze included, you can author DVDs and optimize media for the highest-quality playback—online or on disc. Author professional DVDs and Blu-ray Discs using Avid DVD, which works with Windows-based systems (including emulation software on Macs). With Sorenson Squeeze, you can optimize content in a variety of formats (including HD, DVD, MPEG-2, MPEG-4/H.264, Flash, and 3GPP), author DVDs and Blu-ray Discs (on Windows), and burn discs on a PC or Mac.
System requirements
Mac OS X
Computer: Avid-qualified Mac-based computer2
OS: Mac OS X Lion and Mountain Lion (64-bit) (Still need 32-bit? Learn more about Media Composer 5.5)
Processor: Intel Dual or Intel Dual Core 2.66 GHz Xeon processor or faster, or Intel Core 2 Duo 2.33 GHz processor or faster (laptops)
Memory: 4 GB of RAM (6+ GB recommended); 16+ GB of RAM recommended for Stereoscopic and other high performance workflows
Graphics card: NVIDIA GeForce family3 (recommended) or ATI Radeon family (as supported by Apple)
Internal hard drive: Minimum 80 GB 7200 rpm hard disk.
Full 64-bit power
Fast gets even faster with native 64-bit operation, so even when you layer together the most complex effects, things will still feel snappy. Experience smoother playback, faster rendering performance, and better handling with large bins—and say goodbye to the old memory limitations of the 32-bit operating systems.
Better performance—and 3D—with Avid hardware
For the fastest capture/edit/monitor/output workflows, pair Media Composer with a Nitris DX or Mojo DX video interface and experience hardware-accelerated power that’s second to none. You can now even customize Nitris DX with up to two Avid DNxHD or AVC-Intra chips to fully support stereoscopic 3D and HD RGB 4-4-4 workflows.
Open for business
Media Composer is now fully open thanks to Avid Open I/O, so you can work with your choice of Avid audio and video interfaces or third-party video interfaces, including those from AJA, Blackmagic Design, Bluefish444, Matrox, and MOTU. Manufacturers can simply create plug-ins using Avid Open I/O to have their hardware work with Media Composer, meaning you’ll have even more choices to come.
Sleek new look and Avid Marketplace
Modern, smart, and sexy. Media Composer has a whole new look, but its familiar editing workflow stays the same. Work faster through the tabbed interface (no more window clutter!). Customize window configurations with Workspaces. Browse the Avid Marketplace for stock footage, video and audio plug-ins, software and hardware options, training materials, and more—right from within the app. You can even access user guides and other documentation without having to scour our website.
Work with 3D
Edit stereoscopic 3D material as quickly and easily as you do with standard 2D footage, with a full set of new features and workflows. Capture, edit, and manage the complete 3D end-to-end workflow. Mix and match 2D and stereoscopic 3D clips on the same track. Plus, work with full frame and frame-compatible sources, full-fledged editing tools, video effects, and more.
Go hands-on with Artist Color
Accelerate your color correcting and grading with Artist Color. With its highly responsive feel, you can keep your eyes on the picture instead of the interface while you make adjustments. And since you can tweak multiple parameters at once, you dramatically gain more speed and efficiency to complete time-consuming tasks quickly.
Mix in surround sound
You want your audio to sound as spectacular as your video looks. Now you can record, edit, and mix studio-quality audio in up to 7.1 surround—right in Media Composer. Not only that, you can share mixes with Pro Tools editors (using AAF), and even record and monitor audio using a host of Avid audio interfaces.
Open to anything
You never know what kinds of media, projects, and people will arrive at your desk or doorstep. That’s why Media Composer offers an open workflow, so you can take on whatever challenge awaits. Work with practically any media format, including tape and film. Capture and monitor with your choice of Avid and third-party interfaces. Accelerate editing with Artist Series control surfaces. Integrate into any professional production pipeline. Sync projects with Pro Tools editors using Video Satellite. And take your offline online to Symphony or Avid DS—without redoing work.
Work with any media
File-based media, analog and digital tape, stereoscopic 3D material, film — bring it on. Media Composer offers a wide range of features, workflows, and options that enable you to work with everything, from old-school media to the latest camera technologies. Experience the fastest tapeless workflows in the industry. Capture footage directly from digital cameras. Or add an Avid or third-party video interface to capture from other analog or digital sources. Plus, with support for 4-4-4 HD-RGB color and DNxHD 444, you can work efficiently while preserving the full-quality color detail from beginning to end.
Take storytelling to the cutting edge
It doesn’t matter how you learned to edit—Media Composer goes where others leave off, enabling you to work faster and in ways you’re most comfortable. In fact, its tools are ACE-certified. Trim clips and manipulate transitions on the fly using the Smart Tool (see the Smart Tool in action), or perform ultra-precise edits using traditional tools. Mix and match media formats, frame rates, resolutions, and more in the same timeline—in real time—without rendering (see Mix and Match in action). And edit HD material in real time—in mastering picture quality—using Avid DNxHD or DNxHD 444.
Design and dazzle with visual effects
Give your projects that professional polish using the bundled and built-in design and effects tools. Create eye-catching 2D and 3D composites, titles, animation, and effects with Avid FX (aka Boris RED), a powerful collection of creative tools designed by Boris FX. Add visual impact, drama, and depth with a host of built-in 2D and 3D effects, title tools, transitions, key and motion effects, and more. Add focus and fix issues with motion tracking and stabilization tools. And expand your visual palette with our third-party partners' effects, many of which can be purchased within Media Composer from the Avid Marketplace.
Color correct and grade with precision
Save time and maintain the highest quality production with the fully integrated 10-bit color correction toolset. Quickly and accurately match colors from shot to shot using NaturalMatch. Gain better color precision with support for full-quality 4-4-4 HD-RGB color space processing. Get fine control over shots with animatable color correction. Speed up your color work with Artist Color. And dive into the large palette of easy-to-use tools to refine settings or get creative.
Design and deliver
With Avid DVD and Sorenson Squeeze included, you can author DVDs and optimize media for the highest-quality playback—online or on disc. Author professional DVDs and Blu-ray Discs using Avid DVD, which works with Windows-based systems (including emulation software on Macs). With Sorenson Squeeze, you can optimize content in a variety of formats (including HD, DVD, MPEG-2, MPEG-4/H.264, Flash, and 3GPP), author DVDs and Blu-ray Discs (on Windows), and burn discs on a PC or Mac.
System requirements
Mac OS X
Computer: Avid-qualified Mac-based computer2
OS: Mac OS X Lion and Mountain Lion (64-bit) (Still need 32-bit? Learn more about Media Composer 5.5)
Processor: Intel Dual or Intel Dual Core 2.66 GHz Xeon processor or faster, or Intel Core 2 Duo 2.33 GHz processor or faster (laptops)
Memory: 4 GB of RAM (6+ GB recommended); 16+ GB of RAM recommended for Stereoscopic and other high performance workflows
Graphics card: NVIDIA GeForce family3 (recommended) or ATI Radeon family (as supported by Apple)
Internal hard drive: Minimum 80 GB 7200 rpm hard disk.
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